Imagine a compact analog monosynth that channels the legendary Roland SH-101 vibe but adds a detachable keyboard and dual envelopes for way more creative punch—all without breaking the bank.
At its heart, the L1 rocks a single VCO pumping out sawtooth, triangle, pulse (with PWM), sub-oscillator (-1/-2 octaves), noise, and even external input processing. Everything flows into a punchy 24dB/oct low-pass filter that self-oscillates beautifully, shaped by a versatile LFO and two full ADSR envelopes—Env1 assignable to filter or pitch, Env2 hardwired to the 662 VCA chip with Gate, Cycle, or Drone modes for endless textures. Controls are laid out in that classic left-to-right slider flow for instant subtractive synthesis fun, with velocity-sensitive response, glide, and a crisp OLED screen. The real star is the magnetic S2C docking system: pop off the lightweight 450mm desktop module (under 900g) or attach the 32-key synth-action KB-32M keyboard (total around 1.37 lbs) for portable jamming. Connectivity shines with USB/DIN MIDI in/out, CV/Gate, front 3.5mm and rear 1/4" audio ins, and main 1/4" TRS out.
Its 64-step sequencer (128 patterns, 32 songs with per-step tempo) and 5-mode arpeggiator with swing control make it a live performance beast, perfect for acid lines, fat basses, or leads that cut through mixes. Community buzz praises the authentic SH-101 tone with modern upgrades like the extra envelope and external processing, though some note the plasticky build, wobbly sliders, poor knob labeling, and no patch memory as budget trade-offs—still, it's a session staple that punches above its weight.
