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Ensoniq EPS

KeyboardDigitalPolyphonic

When Ensoniq released the EPS in 1988, they created something that felt genuinely ahead of its time: a sampler that let you load fresh sounds mid-performance, something most competitors couldn't touch. It was a meaningful step up from their earlier Mirage, trading 8-bit sampling for crisp 13-bit capture and expanding from two seconds of sample time to a full five seconds at the highest rate.

The EPS pairs a 61-key semi-weighted keyboard with 20-voice polyphony and eight-part multitimbrality, giving you real flexibility for layered arrangements and live setups. The sampling engine handles variable rates from 52kHz down to 6.25kHz, letting you stretch sample time to 41 seconds if you're willing to trade fidelity. The signal path runs through 24-bit internal processing before converting to stereo output, which Ensoniq engineered to deliver a clean 96dB dynamic range despite the 13-bit input stage. You get independent digital filters per sample with multiple slopes and modes, three five-stage envelopes per wavesample that respond to velocity curves, and an LFO for modulation. The keyboard itself features polyphonic aftertouch, velocity sensitivity, and semi-weighted action that gives you genuine expressive control. An eight-track sequencer with up to 80 sequences handles up to 999 bars each and supports 80,000 notes total, with quantization options from quarter notes to triplet 64ths. Memory starts at 512KB internally and expands via optional cartridges or SCSI, while a 3.5-inch floppy drive handles sample and sequence storage. MIDI In, Out, and Thru give you full integration with external gear.

The EPS earned respect in studios and on stages for its sound quality and ease of use compared to competitors. Musicians appreciated the sample transposition algorithm that keeps pitched-down samples sounding natural even when shifted several octaves, and the ability to layer and split samples across the keyboard opened creative doors. The polyphonic aftertouch and velocity-responsive envelope shaping became signature features that players still seek out today.

Released

1988

Status

Discontinued

Synthesizer
Format
Keyboard
Type
Sample-based
Internal Battery
No
Voice
A/D
Digital
Polyphony
Polyphonic
Oscillators
-
Oscillator Type
-
Voices
20
Filter
Lowpass, Highpass, Bandpass
Envelopes
6
LFO
1
Effects
No
Expression
Aftertouch
Polyphonic
Velocity
Yes
MPE
No
Additional
-
Software
-
I/O
Audio In
1x mono (sample input)
Audio Out
2x 1/4" (stereo)
Headphone
1x shared
MIDI
In, Out, Thru
MIDI Type
DIN (5-pin)
Ports
Floppy Drive, SCSI, CV/Gate, Footswitch
Wi-Fi
No
Workflow
Arpeggiator
No
Sequencer
Yes
Mod Matrix
-
Memory
512 Kb (480 Kb to be exact) internal (expandable to 896 Kb w/ 2x expander, 2.1 Mb w/ 4x expander)
Measurements
Dimensions
38.75" x 13.5" x 3.5" (98cm x 34cm x 9cm)
Weight
29 pounds (13 kilograms)
Last updated Feb 26, 2026