Picture this: a pint-sized analog beast that turns raw noise into throbbing basslines and glitchy textures, all from the mind of JMT Synth, masters of compact chaos machines.
At its heart sits a single VCO fed by three modulation sources—a sub oscillator, sub VCO 2 with its own range, and a noise generator—for endless sound design twists. Toggle between subtractive synthesis and pure noise mayhem via momentary switches, then shape it with the self-oscillating filter that can sync to the VCO frequency. Hands-on knobs control main and sub frequencies, plus a 3-speed random trigger on the wave generator keeps things lively without looping boredom. It's monophonic with CV/Gate inputs for modular integration, a mono audio in and out, and runs battery-powered on 9V or DC 9-12V negative center PSU—perfect for portable jams in a sturdy desktop footprint.
Players dig its intuitive tweakability for instant gratification, though some wish for a headphone jack; it's earned a spot as a go-to for experimental noise heads in JMT's wild lineup.
