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Kawai SX-210 - Image 1

Kawai SX-210

KeyboardAnalogPolyphonic

When Kawai released the SX-210 in 1983, they were aiming directly at the heart of the polysynth market dominated by Roland and Korg, but this machine took a distinctly different approach to voice architecture that made it stand out among its competitors. It's a synth that rewards deep exploration and has quietly developed a devoted following among players who appreciate its particular flavor of analog warmth and its unusual flexibility.

The SX-210 is an 8-voice polyphonic synthesizer built around a single digitally controlled oscillator per voice, with waveforms including sawtooth, square with pulse width modulation, a sub-oscillator, and noise. The signal path is entirely analog, running through an SSM-2044 based low-pass filter paired with a separate high-pass filter, each with its own dedicated ADSR envelope. A single LFO with three waveforms and adjustable delay can modulate the oscillator, filter, and amplifier simultaneously. The 61-key velocity-sensitive keyboard connects to a control interface built around a single encoder dial and parameter buttons, a design choice that feels sparse compared to its era's competitors but gives the SX-210 a clean, focused aesthetic. The wooden side panels and solid construction reflect early 80s build quality, and the synth weighs just over 12 kilograms, making it reasonably portable for its class.

What truly sets the SX-210 apart is its voice architecture flexibility. Beyond standard 8-voice polyphony, you can switch to a 4-voice mode that stacks two oscillators per voice for dramatically thicker tones, or engage the unison lead mode that combines all eight oscillators into a single monophonic voice for massive, detuned leads. The chord memory function lets you stack up to seven different notes into a single voice, creating instant harmonic textures. Additional performance controls include portamento, glissando in semitone steps, pitch bend with adjustable range, and key hold for sustaining notes. The built-in ensemble effect provides stereo widening, and 32 patch memories let you store your creations, with tape interface support for archival and sharing.

Released

1983

Status

Discontinued

Synthesizer
Format
Keyboard
Type
Subtractive
Internal Battery
No
Voice
A/D
Analog
Polyphony
Polyphonic
Oscillators
1
Oscillator Type
DCO (Digitally Controlled)
Voices
8
Filter
Lowpass, Highpass
Envelopes
2
LFO
1
Effects
Stereo Ensemble (Chorus)
Expression
Aftertouch
No
Velocity
Yes
MPE
No
Additional
-
Software
-
I/O
Audio In
-
Audio Out
1 stereo
Headphone
-
MIDI
-
MIDI Type
-
Ports
Tape Interface
Wi-Fi
No
Workflow
Arpeggiator
-
Sequencer
-
Mod Matrix
-
Memory
32 patches (Cassette interface for dumping/loading patches)
Measurements
Dimensions
880 x 400 x 128 mm
Weight
12.2 kg
Last updated Feb 26, 2026