Wing Pinger 2.0

Wing Pinger 2.0 keeps the original instrument's essential analog core - a pair of resonant filters built for feedback, cross-pinging, chaos, and tuned percussive tones - but surrounds it with a much more compact and screen-driven interface. The result reads less like a minor revision and more like a reconsidered performance instrument built around the same unstable, expressive engine.

The biggest functional change is the new pattern system. Instead of only navigating parameters, the screen becomes a way into sequencing and automated parameter movement, with ideas that appear to borrow from live-coding environments such as Strudel and Tidal Cycles. Final production details are not available yet, so this entry should remain marked as a prototype until Meng Qi publishes a finished specification.