Born from a collaboration with legendary graphic designer Ian "Swifty" Swift, this limited-edition reimagines the iconic Bass Station II with striking white and blue panels inspired by rave culture and dubplate aesthetics, complete with custom typography that screams underground energy.
At its core, it packs two digitally controlled analog oscillators with sine, triangle, saw, and square waveforms, plus a sub-oscillator for massive low-end punch, all feeding an all-analog signal path through two gritty filters—a versatile Classic state-variable (LP/BP/HP with 12/24dB slopes) and a squelchy Acid low-pass. Dual LFOs, two ADSR envelopes, and a modulation matrix let you twist sounds into leads, basses, or paraphonic pads, with ring mod, osc sync, overdrive, distortion, and filter mod adding bite. Hands-on controls include traditional single-function knobs, pitch/mod wheels, a 25-key full-size velocity-sensitive synth-action keyboard with assignable aftertouch, and on-key editing for parameters. The 32-step sequencer holds four patterns, while the arpeggiator offers swing and multiple modes; MIDI/USB I/O, audio in/out, and a compact 18 x 10.75 x 3-inch frame at 8.47 lbs make it stage- and studio-ready, powered by included 9V DC.
Loaded with 60 fresh artist presets from names like Legowelt alongside 64 factory ones, it's earned praise for its immediate, full-bodied analog tone and enduring design—users love the straightforward workflow and aggressive edge, though some note the plastic build feels less premium than heavier rivals.
