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Oberheim DMX - Image 1

Oberheim DMX

Drum MachineDigital

Back in 1981, this drum machine burst onto the scene with digitally sampled sounds that captured real drums in a way analog boxes just couldn't match, instantly becoming the backbone of early hip-hop and pop grooves from artists like Run-DMC and New Order's "Blue Monday."

It packs 24 sampled percussion voices—bass drum, snare, toms, hi-hats, cymbals, and more—stored on swappable EPROM chips for custom sound swaps, all playable across 8-voice polyphony with three dynamic levels on bass and snare for lifelike accents. Every voice tunes ±½ octave individually, and you program via 24 velocity-sensitive pads in real-time or step modes, with quantization, swing, rolls, flams, and a crystal metronome for tight, human-feeling rhythms. Store up to 100 patterns and 50 songs in battery-backed memory, mix through 8 VCA level sliders and a 9-channel stereo mixer, then route to 8 individual outs plus stereo mix for multitracking. The desktop unit's sturdy build includes footswitch jacks for live start/stop/fills, tape sync, cassette backup, and ties seamlessly into Oberheim's OB-X synths or DSX sequencer—no MIDI stock, but retrofits exist.

Owners love its punchy, authentic 8-bit tone and intuitive workflow that still holds up for vintage beats, though some note the fixed soundset pushes creative EPROM hunting. A true '80s icon worth hunting down if you crave that raw drum machine soul.

Released

1980

Status

Discontinued

Synthesizer
Format
Drum Machine
Type
Sample-based
Internal Battery
-
Voice
A/D
Digital
Polyphony
-
Oscillators
-
Oscillator Type
-
Voices
8
Tracks
8
Filter
No
Envelopes
8
LFO
-
Effects
Individual tuning control and Swing Function
Expression
Aftertouch
No
Velocity
-
MPE
No
Additional
-
Software
-
I/O
Audio In
-
Audio Out
8 individual + stereo mix
Headphone
-
MIDI
-
MIDI Type
-
Ports
Tape Interface
Wi-Fi
No
Workflow
Arpeggiator
-
Sequencer
Yes
Mod Matrix
-
Memory
-
Measurements
Dimensions
-
Weight
-
Last updated Mar 17, 2026