Imagine a synthesizer where your fingertips become the wiring, channeling tiny currents through your body to shape wild analog tones—no keys, just pure tactile connection.
At its heart, this fully analog beast packs a five-voice polyphonic synth with individual tune knobs per voice, a master pitch control, and touch pads for outputs, modulation inputs, and ring mod pairs between voices—connect MOD to OUT with a finger to bend pitches on the fly. Over on the left, a rhythmic pulse generator divides a master clock (set by the TEMPO knob) six times by two, spitting out PULSE 1-6 plus three logical AND combos for intricate beats, basses, and clicks; V2 even adds an external clock input. The triangular touch plate is magic: slide across DIR, HPF, BPFH, BPFL, and LPF pads for left/right stereo multimode filtering, routing signals through your skin for timbrally rich sweeps. Cap it with a modulated stereo delay featuring independent left/right time pots (also touch-modulatable), shared feedback and bizarre self-mod, a pink noise source, built-in piezo mic to grab case vibrations or your voice (with gain knob), and even bolts for springs to turn it electro-acoustic. Physically compact at about 26x17cm with a sturdy metal chassis in colors like red or night frog, it offers mono audio in, stereo outs, and those conductive knobs doubling as extra patch points.
Players love how it turns jamming into a full-body ritual, yielding glitchy FX, throbbing pads, and organic glitches that feel alive—though the learning curve rewards patient explorers who dive into its body-patching quirks.
