Imagine coaxing alive a swarm of buzzing, breathing tones from vintage organ-inspired circuits, all packed into a backpack-friendly blue enclosure that glows with a Zanzibar hue. This compact drone machine revives the wild spirit of its bigger sibling but halves the voices to four, making it the perfect portable companion for experimental soundscapes on the go.
At its core, four analog voices—non-linear generators mimicking old electric organ tones—split into two pairs for tree-like interactions, switching seamlessly between organ mode and FM synthesis where each voice acts as an operator, fading with its envelope. Touch-sensitive contacts trigger fast or slow releases, with individual tuning knobs, a master Pitch scaler, and Hold for sustained drones; add waveshaping, cross-FM up to total feedback, and vibrato for chaotic depth. The Hyper LFO blends two waves via sum, multiply, or sync for intricate modulation of voice pairs and effects, feeding a self-modulating delay whose sample rate warps from its own output, then a distortion stage with dry/wet mix for saturated grit. Controls cluster intuitively on the 9.1 x 8 x 2.4-inch panel, with stereo outs, headphone jack, and CV ins (0-5V) for voices and delay—rugged at 1.2kg, powered by 12V DC.
Players love its organic responsiveness, birthing everything from meditative hums to feral howls that feel like a living entity, though some note the touch strips demand a light, deliberate touch to avoid overtriggering in live chaos.
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