Imagine firing up a synth where every note blooms in true stereo from the oscillators themselves, thanks to its binaural signal path that doubles voices per note for that immersive, wide-open soundstage. This white-finished beauty sits perfectly between streamlined classics and bi-timbral beasts, delivering UDO's signature hybrid punch in a keyboard format that's begging for stage time.
At its heart, you'll find 16 polyphonic voices across two independent layers, each powered by dual FPGA oscillators packing sine, saw, square, triangle, noise, wavetables, PWM, sync, cross-mod, and ring mod, all feeding into a resonant 4-pole 24dB/octave analog low-pass filter with high-pass and overdrive. Hands-on controls cover mixer, envelopes, LFOs, DDS mod section, and a modulation matrix, with no screen needed—just intuitive faders, assignable bender, portamento, and octave switches. The 61-note semi-weighted keybed responds to velocity and polyphonic aftertouch for per-note expression, paired with arpeggiator, 64-step sequencer, per-layer chorus/delay effects, stereo I/O, headphones, and footswitch inputs in a sleek 40.9" x 15.7" x 3.7" frame.
Players love its immediate playability and addictive tones right out of the box, with the poly aftertouch drawing raves for bringing patches alive, though some note the filter's keytracking leaves headroom best filled via mod matrix or pedals. It's a flagship contender that feels familiar yet fresh.
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