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ARP 2600 - Image 1

ARP 2600

Semi-ModularAnalogMonophonic

Introduced in 1971, this semi-modular legend was ARP's clever riposte to hulking Moog modulars, packing pro-level power into a sleek, portable desktop unit that didn't demand a PhD to play.

Three voltage-controlled oscillators deliver sawtooth, square, triangle, and pulse waves, each switchable to LFO duties for wild modulations, feeding into a 24dB/octave lowpass filter—early models cloned Moog's ladder design before switching to ARP's own 4072 for resonance that self-oscillates into sine-like tones. Dual envelopes (ADSR and AR) shape your sounds through a versatile VCA with linear and exponential inputs, while a patch bay with banana jacks lets you reroute signals via pre-wired normals or custom cables, adding ring mod, noise generator (white, pink, low-freq), sample & hold, envelope follower, and that lush spring reverb. The walnut-trimmed metal chassis, around 15-19 inches wide depending on the version, pairs with a detachable 49-key keyboard, built-in speakers, mic preamp, and sliders galore for hands-on tweaking.

Over decades, it's earned icon status from artists like Stevie Wonder and Kraftwerk, praised for fat basses, sci-fi leads, and experimental textures—though some note later models' noisier filters as a vintage quirk that adds character.

Released

1971

Status

Discontinued

Synthesizer
Format
Semi-Modular, Desktop, Keyboard
Type
Analog, Subtractive
Internal Battery
-
Voice
A/D
Analog
Polyphony
Monophonic
Oscillators
3
Oscillator Type
VCO (Voltage Controlled)
Voices
1
Filter
Yes
Envelopes
1
LFO
4015
Effects
Spring Reverb
Expression
Aftertouch
No
Velocity
-
MPE
No
Additional
-
Software
-
I/O
Audio In
1 mono
Audio Out
1 mono
Headphone
-
MIDI
-
MIDI Type
-
Ports
-
Wi-Fi
No
Workflow
Arpeggiator
No
Sequencer
Yes
Mod Matrix
Yes
Memory
-
Measurements
Dimensions
-
Weight
-
Last updated Feb 25, 2026