Omega 8

Back in 2000, this rackmount beast brought eight discrete analog voices to life, each with its own dedicated oscillator and filter board—pure analog dream machine territory that let you treat it like eight individual monosynths in one box.

Housed in a sturdy 4U chassis that's 15 inches deep and weighs around 20 lbs, it packs 32 hands-on knobs (with relative and jump modes), a rotary encoder, 35 tactile switches, and 24 LEDs, all feeding a clear 16x2 backlit LCD for editing over 30 pages without endless scrolling. Per voice, you've got two syncable VCOs plus a sub-oscillator, white noise, and up to four swappable filters: a fixed 12dB Oberheim-style (LP/BP/HP/notch) and a 24dB Moog ladder, with docking slots for 303, 2600, or CS-80 emulations—audio freq mod from Osc 2 hits pitch, PW, or filter cutoff. Three software LFOs and envelopes (one hardware, others digital) offer deep routing to nearly everything, plus auto-triggering external inputs per voice, arpeggiator, and poly/mono glide; multitimbral mode handles splits, layers, or eight-part multichannel setups. Outputs include a main stereo/mono plus individual stereo TRS per voice, with 254 RAM patches (128 multis) and matching ROM.

Players still chase these on the vintage market for their thick, characterful tones—salvational pads, pounding basses, and wild FX that stack up against modern modeling but deliver the real discrete warmth, though some note the software envelopes aren't the snappiest.